Author: Matthew Allard ACS
IBC 2016: ‘Cooke Look’ now available in Canon EF, Nikon F, Sony E, and MFT mounts
IBC 2016: Rode shows off new audio solutions, including now-shipping Newsshooter XLR transmitter/receiver
IBC 2016 – Lupo Superpanel might just be the brightest 1×1 LED panel on the market
IBC 2016 – Arri Master Grips offer finger tip control over focus, iris and zoom with old school ergonomics
Interview: Sigma CEO Kazuto Yamaki “Probably all the new cinema lenses will be under $5000 US”
IBC 2016: Hands on with Angenieux’s Super 35mm/Full-Frame Type EZ Series zooms
Convergent Design talks about external RAW recording from the Panasonic Varicam LT
Leica M 0.8 Cinema lenses announced
Arri SXT gets a new Codex recording engine similar to the Alexa 65
SmallHD announces the 13″ 1303 HDR and 1303 Studio production monitors
Review: Rotolight Anova Pro bi-colour LED light
Convergent Design’s Titan option lets you record three HD frames from a single 4K/UHD camera
Angenieux announces the Type EZ Series zooms that cover both Super 35mm and FF/VistaVision cameras
Panasonic Varicam Pure – a new, smaller RAW recorder variant of the Varicam35
Cinedeck RX2 two channel HD simultaneous recording and playback platform
A Day In Kyoto – First footage from the Canon Cinema EOS C700
Cineo Quantum120 colour tunable fixture outputs up to 75,000 lumens and can be run off mains power
