Author: Matthew Allard ACS
Panasonic DVX 200 Review Part 2- V-Log L, Scene Profiles and Colour Science
Optitek Canon ProLock-i and Nikon Mounts for the Arri Amira & Alexa Mini put to the test
Panasonic DVX 200 Review Part 1: Camera overview, ergonomics and build
Frame.io version 1.1 and FCPX Companion App updates
“Nostalgia” – a short film using a RED Epic Dragon monochrome and Freefly ALTA Drone
Clinton Harn looks at the iFootage S1 Shark – a light weight extendable slider for shooters on the go
The Panasonic DVX-200 gets a street price of $4195US
Arri Managing Director Franz Kraus talks about resolution, HDR and the Arri 65
Dan Chung talks about using the Canon C300 mkII and Sony a7R II on this week’s Go Creative Show
Odyssey 7Q and 7Q+ can now record 4K/UHD up to 60P and HD up to 240P in Apple ProRes
Steady Shot Bot: An automated robot with Hyperlapse, Gimbal and motion control functions
Who says professionals don’t use auto focus? Japanese director Yosh Enatsu shoots with the Canon C300 mkII
Zacuto first look at the Canon C300 Mark II
RED Weapon gets Internal ProRes Recording
Looks, Picture Profiles , LUTs and Log – Why, when and how you should use them.
Go Creative Show- Visual Storytelling with Alex Buono from Saturday Night Live
Vervid: World’s first ‘immersive 9:16 video platform’ for shooting with your phone vertically