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Sachtler updates their popular Video 18 fluid tripod head
Zooms vs Primes? DP Geoff Boyle’s cinema lens supertest has results that may surprise you
SoftPanels: Kickstarting LED lights with automatic colour adjustment and skin tone optimisation
First impressions of the Atomos Shogun Flame as a field monitor
Filmconvert is now available for Windows
Go big or go home- Hasselblad H6D-100c brings 4K raw video capability to medium format
JVC adds built-in IFB to their GY-HM660 mobile news camcorder
smallHD goes big- announces 17-inch, 24-inch and 32-inch daylight-viewable HDR 10-bit production monitors
Convergent Design NAB Specials on Apollo, Odyssey7Q+ and Upgrade Options
Emulate the messaging graphics used on shows such as Sherlock and House of Cards with XEffects Messages
Sony announce full-frame, E-mount 4K action cam
Go Creative Show talks to Nelson Cragg, cinematographer of American Crime Story:The People Vs. OJ Simpson
Fujinon announces more affordable Super35 ENG style Premier PL 20-120mm T3.5 Cabrio lens
Cinevate Grip Reacher review: Simple, rugged, adaptable slider accessory
Don McAlpine ACS ASC talks about shooting the feature film “Ali’s Wedding” on Panasonic’s VariCam 35
XEEN 35mm and 14mm cine lenses: first look and comparison footage
Newsshooter Sony a6300 EBU lab test by Alan Roberts: Surprising results ‘not suitable for use in general broadcasting’
