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Go Creative Show talks to Nelson Cragg, cinematographer of American Crime Story:The People Vs. OJ Simpson
Fujinon announces more affordable Super35 ENG style Premier PL 20-120mm T3.5 Cabrio lens
Cinevate Grip Reacher review: Simple, rugged, adaptable slider accessory
Don McAlpine ACS ASC talks about shooting the feature film “Ali’s Wedding” on Panasonic’s VariCam 35
XEEN 35mm and 14mm cine lenses: first look and comparison footage
Newsshooter Sony a6300 EBU lab test by Alan Roberts: Surprising results ‘not suitable for use in general broadcasting’
Give your brushless gimbal the floating car ride it deserves – RigWheels launch the Cloud Mount
Sony announces FE 50mm f/1.8 prime and FE 70-300mm f/4.5-5.6 G OSS zoom
Koji Go brings the look of 35mm motion picture film to your iPhone
Newsshooter’s exclusive Alan Roberts EBU-standard lab report on Sony a6300 coming soon
Sony surprise – New RX10 III hybrid camera couples 25x zoom with 4K video and 1-inch sensor for $1300
Sony releases new firmware for the FS700 and FS700R
5K for less than $5K? Kinefinity launch the TERRA: A compact RAW and ProRes shooting cinema camera in 5K and 6K versions
Go long- Duclos Lenses announces a new PL mount 2x TeleExtender
Close up with the Duclos Lenses Macro Extension Tube for PL lenses
Arri releases SUP 4.0.15 for the Alexa Mini- S16 HD recording mode, internal ARRIRAW Open Gate recording and more
LockCircle cinematic production cage 6300NY for the Sony a6300
