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Orlando de Guzman explains how he records sound for Cinema Verite documentaries
New Convergent Design SSDs to ship with a 10-year Warranty
‘Extreme Filming Under Pressure’ – learn how Thierry Donard shot his action sports feature film in a free webinar from Sony
Musicbed announce Film Initiative competition with $50k US prize fund
Video Devices PIX-LR audio interface adds XLR inputs/outputs to the PIX-E series
A look at the Azden SMX-30 Stereo/Mono Switchable Video Microphone and SMX-15 Video Microphone
Field testing the Tokina Cinema ATX 100mm T2.9 macro PL mount
To the Explorers: A Q&A with the winners of NatGeo Wild’s short film competition
Cooke announces the Anamorphic/i SF to give cinematographers more ‘anamorphic funkiness’
‘Let’s Dance’ – a video shot entirely using autofocus with the Sony a6300
Testing the Sony G Master 85mm f1.4 in anamorphic using the Rectilux 3FF-W adapter
DJI’s Phantom 4 drone: Worth the upgrade?
Video review platform Wipster gets new features
Hedge For Mac – A new copy and verification program for your video files
X-Rite ColorChecker Video: On-set colour chart offers one-click correction in post
BVE 2016: Cinematographer Geoff Boyle says “ARRI have a problem”, likes Varicam LT image, uses C300mkII autofocus.
Frame rates, fake snow and the feeling of thrill – Capturing the magic of Alberta’s winter in the studio with the RED Dragon
