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Capturing extreme motorsport for Red Bull New Zealand
Too much wiggle on your Speedbooster? Foto Akcesoria launch new Speedlock adapter with locking EF mount
New Xtender-210 friction mounts – pan and tilt for your on-camera monitor
What will Documentary shot with a 8K camera look like? DP Phil Holland shoots with the RED Weapon 8K
An FS7 owner’s take on the Varicam LT – Director and DP Jason Wingrove’s first impressions
AJA take a new direction with the RovoCam 4K block camera
Newsshooter talks to Panasonic at the Hollywood launch of the Varicam LT
Enter the Panasonic Varicam LT – a 4K Super35 camera with EF lens mount and $18K US price tag
Easier Anamorphic – SLR Magic launch three 1.33x Anamorphic PL Cine lenses with plenty of elongated bokeh and flares
Lux Gears Review: Are these the follow focus gears you’ve been looking for?
Marshall Electronics cameras offer a pylon’s eye view of the Super Bowl for the first time
Sony tease 4K 120fps RAW shooting for the F55 cinema camera
What happens when you break your RED monitor on an epic journey for NatGEO ? – Renan Ozturk shoots blind in Burma
Samyang announce XEEN 14mm T3.1 and 35mm T1.5 Cine lenses
Blackmagic releases updates for Video Assist and Davinci Resolve
Facebook opens up live video streaming to US iPhone users
Any colour, so long as it’s a Hero Black: GoPro stock slumps, company trims camera lineup to three models
