Panasonic Lumix S1 II & S1 IIE Announced

Panasonic has announced the new Lumix S1 II and S1 IIE full-frame mirrorless hybrids. The S1 II can capture up to 5.1K 60p open gate, while the S1 IIE can do open gate 6K 30p (3:2) recording.

Both cameras look to be decent offerings for hybrid shooters who need to capture both stills and video.

Panasonic has been busy of late, and they only released the Lumix S1RII just a few months ago.

Lumix S1II

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The S1 II features Panasonic’s first partially-stacked sensor, which is claimed to improve read-out speeds. It also allows the camera to record 6K30p open-gate video and to shoot up to 70 fps continuous, blackout-free stills. The camera is smaller and lighter than the original S1, and Panasonic has also improved the autofocus and AI subject detection.

The S1II is packed with advanced, creator-friendly video recording features, such as a partially stacked CMOS sensor with high-speed readout, and supports open gate 6K 30p (3:2) and 5.1K 60p (3:2) recording, C4K/4K 120p high frame rate video, and high resolution / low noise oversampled 4K video.

At the heart of the S1 II is a new 24.1MP full-frame partially stacked CMOS sensor, delivering faster readout and exceptional low-light performance. Coupled with Panasonic’s L2 Engine and Dynamic Range Boost technology, the camera captures incredibly clean, high-detail images across its ISO range-while enabling 96MP handheld high-resolution shooting and HEIF 10-bit file support for enhanced tonal flexibility in stills workflows.

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Dynamic Range Boost combines two types of image data at each pixel: one prioritizes saturation using the sensor’s low ISO circuit, and the other prioritizes low noise using the high ISO circuit. This results in video with smooth gradation, rich tones, and a balance of low noise and high saturation. This enables a claimed 15-stop V-Log/V-Gamut recording, which is the highest ever for LUMIX cameras.

The S1 II is a robust video tool offering a wide range of recording formats and frame rates, all with 10-bit depth and pro-level color tools:

• 6K 30p Open Gate (3:2) for multi-aspect flexibility
• 5.1K 60p 4:3 for immersive documentary or social content
• C4K and UHD 4K 120p for slow motion and fast action
• Oversampled 4K video from full-sensor readout
• V-Log and V-Gamut with 13+ stops of dynamic range
• Real Time LUT application for custom looks in-camera
• Dynamic Range Boost for improved highlight and shadow detail
• Full HDMI output and Frame.io Camera to Cloud support
• Ultra-smooth high frame rate
• Up to 15 stops of dynamic range**
• HEIF* recording (4:2:0 10-bit)
• High Resolution mode with a 96-megapixel equivalent resolution
• Ultra-fast readout speeds

*Available in S1II only
**Dynamic Range Boost ON: 15 stops. Dynamic Range Boost OFF: 14+ stops.

When using Dynamic Range Boost, video image quality and ISO sensitivity are restricted, and there will be an increase in rolling shutter distortion.

A full suite of video formats with 5.1K 60p Open Gate recording

• 8.1K (17:9) 8128×4288 | 8K (16:9) 7680×4320*
• 6K 30p / 5.1K 60p 4:2:0 10-bit (3:2) open gate video recording
• 5.9K/5.8K 60p 4:2:0 10-bit
• C4K/4K 120p 4:2:0 10-bit / FHD 240p 4:2:2 10-bit
• C4K/4K 60p 4:2:2 10-bit
• C4K/4K 60p / 5.8K 30p ProRes RAW HQ internal recording

*Available in SR1II. Some features will be available through a firmware update in 2025.

6K 30p / 5.1K 60p 4:2:0 10-bit (3:2) open gate video recording
Offering open gate recording 6K 30p 4:2:0 10-bit (3:2) and 5.1K 60p 4:2:0 10-bit (3:2), this model allows for flexible post-production cropping while maintaining image quality. This ensures compatibility with a wide range of social media platforms and client needs. RAW video output via HDMI is also supported.

C4K/4K 60p 4:2:2 10-bit ALL-Intra
The LUMIX S1II also offers recording modes for high-end editing. C4K/4K 60p 4:2:2 10-bit ALL-Intra recording combines a huge amount of information with enhanced resolution through oversampling, delivering exceptional video quality. Additionally, C4K/4K 30p recording is available without any time limit*³, and it also supports 5.9K 60p 4:2:0 10-bit (16:9) and 5.8K 60p 4:2:0 10-bit (17:9) video recording.

C4K/4K 120p 4:2:0 10bit / FHD 240p 4:2:2 10bit*¹ *²
C4K/4K 120p 4:2:0 10-bit high frame rate video recording allows you to create slow-motion video with audio by converting the frame rate using non-linear editing software. For the first time*⁴ in the LUMIX S Series, FHD 240p 4:2:2 10-bit recording is also supported*¹ *².

Proxy video recording
It is also possible to record a low-bitrate proxy file*⁵. Simultaneously recording a proxy file that is linked with the original video recording greatly improves the efficiency of post-production work, such as data transfer and editing. Proxy files can also be recorded to the internal memory card even during RAW video data output.

*1 Depending on the Rec Quality and Image Area of Video settings, the following crop zoom rates are used for recording:
When Image Area of Video is FULL: C4K video (120p/100p): Approx. 1.17x, 4K video (120p/100p): Approx. 1.24x, FHD video (240p): Approx. 1.21x
When Image Area of Video is APS-C: 3.3K video (120p/100p): Approx. 1.06x
Depending on the Rec Quality and Slow & Quick setting frame rate, the following crop zoom rates are used for recording:
When Image Area of Video is FULL: FHD video: Approx. 1.21x (181 fps or higher)
When Image Area of Video is APS-C: FHD video: Approx. 1.14x (121 fps to 150 fps) / Approx. 1.44x (151 fps or higher)
*2 Image sensor recording uses 2482×930 pixels.
*3 The recording time varies depending on the shooting format and the operating conditions. It will stop automatically once the internal temperature gets too high.
*4 As of May 2025, among Panasonic’s digital cameras.
*5 Proxy video recording is not possible for MP4, exceeding a resolution of C4K, 4:3 or 3:2 aspect ratio, high frame rate video.

Internal RAW video recording

ProRes RAW HQ / ProRes RAW footage can be recorded directly to a CFexpress Type B card inside the camera body itself. This means you can capture with no need for external devices or cables.

RAW Video Out

Open gate 6K 30p (3:2) RAW data video can be output via HDMI for external recording. Recording in ProRes RAW with ATOMOS recorders or in Blackmagic RAW with Blackmagic Design recorders streamlines the production workflow and supports high-quality video creation.

Supported Recorder Models
・ATOMOS: NINJA V, NINJA V+, NINJA, NINJA ULTRA, SHOGUN CONNECT, SHOGUN, SHOGUN ULTRA
・Blackmagic Design: Blackmagic Video Assist 12G HDR

32-bit Float Recording

• Use with XLR microphone adaptor DMW-XLR2 (sold separately)
• Record high-quality audio without adjusting sound recording levels​
• Video and audio are recorded in a single file, making editing work much more efficient

Other Features

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• Multiple Frame Marker
• False Color for Photo and Video
• Direct transfers from the CFexpress Type B or SD memory card to an external SSD
• Proxy file recording to the internal memory card during HDMI RAW video data output
• Compatible with timecode synchronization via Bluetooth
• Connectivity with UVC/UAC devices is supported
• Compatibility with Frame.io Camera-to-Cloud
• NEW Photo/Video/S&Q Switch facilitates easy toggling between photo and video modes
• NEW Shutter Closing Function
• Front/Rear Tally Lamp​
• Photo Style Cinelike A2
• Live View Composite
• HDMI Video Data Output ​
• Tilt and free-angle monitor
• 5,760k-dot OLED Real View Finder

*Some features will be available through a firmware update in 2025.

ARRI LogC3 recording

With a future firmware update*, users will be able to use the ARRI LogC3**, which enables color matching with ARRI’s digital cinema cameras. The image processing of the ARRI LogC3 curve on LUMIX S1II has been certified by ARRI for the implementation of this function. The options for Log recording, which provides rich color information and a wide dynamic range, have been expanded to include ARRI LogC3 in addition to the conventional V-Log, further improving LUMIX’s workflow compatibility.

*Firmware update scheduled for 2025.
**The DMW-SFU3A software upgrade key (sold separately) is required to activate the ARRI LogC3.

Timecode sync via Bluetooth

For the first time in a LUMIX camera, this model supports timecode synchronization via Bluetooth. By using a Bluetooth-enabled timecode generator to synchronize the initial timecodes of multiple cameras, video clips can be easily aligned on the timeline during nonlinear editing, significantly improving editing efficiency.

False Color

LUMIX cameras come equipped with a comprehensive set of video assist tools, including Waveform (WFM), Vector Scope, Luminance Spot Meter, and Histogram. In addition to these features, the LUMIX S1II also offers False Color, which displays brightness levels as colours, providing even more reliable support for your shooting needs.

Frame Marker

There are various aspect ratios, such as 2.39:1 and 2.35:1 for cinema, and 1:1 and 4:5 for social media. The LUMIX S1II is equipped with a mask function designed for post-production cropping, allowing you to shoot with precise framing. A future firmware update* will increase frame aspect ratio options from 10 to 17 and enable simultaneous display of up to three frames.

*Firmware update scheduled for 2025.

Front/rear tally lamp

The tally lamps mounted on the front and rear of the camera body allow both the person behind the camera and those in front to see the recording status. The rear tally lamp also functions as a card access light. You can adjust the brightness and turn each of these lamps on and off individually.

LUMIX Flow app

From storyboarding to efficient shooting and automatic organization of shooting files, this app supports the entire workflow for scenario-based video production. What’s more, you can connect your camera and smartphone via the app using USB or Wi-Fi and use your smartphone as an external monitor, making checking monitors and framing much more convenient.

Dual Card Slots

The S1II’s dual card slot includes CFexpress Type B support in Slot 1 for fast burst shooting and high-bitrate video. It also allows direct recording to USB-SSD.

B.I.S Image Stabilization

The Lumix S1 II can achieve 8.0-stop 5-Axis B.I.S. and 7.0-stop 5-Axis Dual I.S in photo mode.

• 8.0-stop 5-axis B. I.S.* / 7.0-stop 5-axis Dual I.S. 2**
• Active I.S. + Advanced E.I.S. featuring Cropless mode
• Steady framing for both photos and videos, even when shooting handheld
• Corrects significant shake and perspective distortion for video recording
• Cropless mode works well for wide-angle shots***

*Center: 8.0-stop; Periphery: 7.0-stop. Based on the CIPA 2024 standard [Yaw/Pitch/Roll direction: focusing distance f=60mm when S-R2060 is used. 5-axis.]
**Center: 7.0-stop; Periphery: 7.0-stop. Based on the CIPA 2024 standard [Yaw/Pitch/Roll direction: focusing distance f=105mm when S-R24105 is used. 5-axis.]
***This feature can be set using a LUMIX S Series lens.

In video mode, the camera has B.I.S & Dual I.S, Boost I.S Active I.S, and E.I.S. These are all suitable for various applications such as large shaking, unstable walking shots, using a wide-angle lens, and anamorphic lenses. While the Image Stabilization is really improved, it won’t replace a gimbal, but it sure smoothes out handheld jitters very well, even when using longer lenses.

Dual I.S. 2. The advanced video image stabilization features cropless E.I.S. video distortion correction, reducing peripheral distortion while preserving the original angle of view. This allows for greater flexibility in handheld wide-angle shooting.

• 5-axis
• Center: 8.0-stops, Periphery: 7.0-stops

Active I.S. + E.I.S.​

• Active I.S. works by combining with E.I.S. (HIGH), it compensates even large shakes such as shooting in running situations.​
• E.I.S. compensates for perspective distortion* that occurs during video shooting.

There is also a Crop Mode that corrects perspective distortion​ , which is more noticeable when shooting​ at an angle focal length​ without changing the field of view.​

Advanced E-Stabilization

When E.I.S. is ON; it corrects roll blur and perspective distortion.​ E.I.S. ‘HIGH’ mode is now available ​when using an anamorphic lens.​

Anamorphic IS Options

• A2.0
• A1.8
• A1.5
• A1.33
• A1.30

Articulating LCD Design

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The S1 II’s LCD screen features a multi-positional articulating design. The LCD hinge is attached to a backing plate that pulls away from the camera so it can be adjusted at many angles. Since the LCD can be pulled away from the body, it allows the LCD to flip up and down without hitting inserted cables, such as HDMI, headphones, and audio. It can also give you more tilted angles for shooting overhead to really low, whether flipped to the side or under the EVF.

Live View Finder

The OLED EVF (organic light-emitting diode) display is claimed to be bright and sharp, with its 5.76 million-dot resolution and fast response time, not only captures fast-moving subjects but also displays rich gradations of subject detail thanks to its high contrast performance of approximately 10,000:1 or better.

Powering Options

The S1 II uses the same Panasonic DMW-BLK22 Lithium-Ion Battery (7.2V, 2200mAh) as several other Lumix cameras, such as the S1R II and GH5 II.

The DMW-BG2 Battery Grip will double the runtime as it also houses one extra battery. At the same time, using the internal battery. instead of inserting it into the battery compartment, it connects with pins on the bottom of the body.

Intelligent Autofocus with Subject Recognition

The Lumix S1 II features a powerful Phase Hybrid AF system enhanced by AI-based subject detection and tracking. It delivers fast, accurate autofocus even when subjects are moving unpredictably or partially obscured.

• Phase Hybrid Autofocus with 779 focus points
• Real-time detection of humans, eyes, faces, animals, cars, motorcycles, and more
• Reliable AF performance in low-light and low-contrast scenes
• Blackout-free 70 fps burst shooting with continuous AF (AFC)
• Focus ring direction reversibility and linear/non-linear focus response control

This makes the S1 II a reliable tool for both still and motion capture, where critical focus is a must.

Designed for Professional Workflows

With blackout-free 70 fps burst shooting, 8.0-stop 5-axis stabilization, and Active I.S., the S1 II is ideal for handheld shooters and hybrid creators working across genres. It features dual card slots (CFexpress Type B + SD UHS-II), a high-resolution tilting/free-angle LCD, and a durable body tested for cold weather performance down to 14°F. Support for the Lumix Lab, Lumix Flow, and Capture One plug-in further extends its utility into professional post workflows and mobile connectivity.

The Panasonic Lumix S1 II retails for $3,197.99 USD.

Lumix S1 II E

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The Panasonic Lumix S1 IIE Mirrorless Camera brings flagship-caliber photo and video capabilities to a broader range of creators. Built around a 24.2MP full-frame BSI CMOS sensor and Panasonic’s next-generation processing engine, this streamlined version of the S1 II retains advanced tools like 6K open gate video, 96MP high-res handheld stills, and Phase Hybrid autofocus with AI detection. Designed as a professional entry point into the Lumix S series, the S1 IIE targets photographers and filmmakers who need speed, precision, and flexibility without the cost or weight of top-tier flagship models. From solo creators and studio shooters to emerging hybrid professionals, the S1 IIE offers high-end performance in a more accessible package.

With its 24.2MP full-frame BSI CMOS sensor and partially stacked design, the Lumix S1 IIE delivers fast, detailed image capture with low rolling shutter and improved low-light response. This sensor architecture allows for smoother readout during high-speed burst shooting and video, while preserving excellent dynamic range for stills. Panasonic’s L2 engine supports advanced features like Dynamic Range Boost, enabling improved highlight and shadow retention in both stills and video. Creators can shoot high-resolution images up to 96MP without a tripod using the handheld High Resolution Mode, while HEIF 10-bit image capture offers richer gradations and smaller file sizes.

• 96MP-equivalent handheld High Resolution Mode
• HEIF 10-bit image recording
• L.Monochrome D, L.ClassicNeo, and other film-like profiles
• Dual Native ISO for optimized low-light performance
• Color science designed for lifelike tones and smooth skin rendition

The S1 IIE is a strong performer for hybrid shooters thanks to its internal 10-bit video recording and oversampled image quality across formats. It supports 6K open gate video at 30p for full sensor coverage—perfect for anamorphic use or reframing in post—and also handles 5.1K 60p and Cinema 4K 120p, offering cinematic flexibility and slow-motion capability.

• 6K (3:2) Open Gate at 30p for full-sensor capture
• 5.1K (4:3) at 60p for immersive high-resolution content
• C4K/4K 120p for slow motion and action footage
• Oversampled 4K from full sensor width for enhanced sharpness
• V-Log/V-Gamut with 13+ stops of dynamic range
• Real Time LUTs for baked-in or previewed color grading
• Frame.io C2C support and SSD recording via USB-C

14+ stops V-Log/V-Gamut

Supporting 14+ stops V-Log/V-Gamut, this camera faithfully captures everything from shadows to highlights with impressive accuracy, enabling HDR video production with smooth gradation and rich tones. A unified gamma profile across the LUMIX S and G Series supports a streamlined post-production workflow.

REAL TIME LUT lets users apply creative color looks in-camera, while Frame.io Camera to Cloud integration supports seamless collaboration with editors, clients, and post-production teams. Direct recording to USB-C SSDs provides a convenient workflow for long-form content creation without card swapping.

From ultra-high-resolution 6K 30p 10-bit recording to C4K, 4K, 3.3K, and FHD, the LUMIX S1IIE offers a wide range of video formats. Depending on the Rec Quality and Slow & Quick setting frame rate settings, the following crop zoom rates are used for recording:

• FHD video: Approx. 1.22x (151 fps or higher)
• For FHD video with a Slow & Quick setting frame rate of 151–180 fps, image sensor recording uses 1632×920 pixels.

6K 30p 4:2:0 10-bit (3:2) open gate video recording
Offering open gate recording 6K 30p 4:2:0 10-bit (3:2), this model allows for flexible post-production cropping while maintaining image quality. This ensures compatibility with a wide range of social media platforms and client needs. RAW video output via HDMI is also supported.

Cs4K 60p 4:2:2 10-bit ALL-Intra (2.4:1)
Cs4K 60p 4:2:2 10-bit high frame rate video recording allows you to create slow-motion video with audio by converting the frame rate using non-linear editing software. In addition, C4K/4K 60p recording is available with no time limit.*

*The recording time varies depending on the shooting format and the operating conditions. It will stop automatically once the internal temperature gets too high.

ARRI LogC3 recording

With a future firmware update*, users will be able to use the ARRI LogC3**, which enables color matching with ARRI’s digital cinema cameras. The image processing of the ARRI LogC3 curve on LUMIX S1IIE has been certified by ARRI for the implementation of this function. The options for Log recording, which provides rich color information and a wide dynamic range, have been expanded to include ARRI LogC3 in addition to the conventional V-Log, further improving LUMIX’s workflow compatibility.

*Firmware update scheduled for 2025.
**The DMW-SFU3A software upgrade key (sold separately) is required to activate the ARRI LogC3.

Timecode sync via Bluetooth

For the first time in a LUMIX camera, this model supports timecode synchronization via Bluetooth. By using a Bluetooth-enabled timecode generator to synchronize the initial timecodes of multiple cameras, video clips can be easily aligned on the timeline during nonlinear editing, significantly improving editing efficiency.

Proxy video recording

It is also possible to record a low-bitrate proxy file*. Simultaneously recording a proxy file that is linked with the original video recording greatly improves the efficiency of post-production work, such as data transfer and editing. Proxy files can also be recorded to the internal memory card even during RAW video data output.

*Proxy video recording is not possible for MP4, exceeding a resolution of C4K, 4:3 or 3:2 aspect ratio, high frame rate video.

Internal RAW video recording

ProRes RAW HQ / ProRes RAW footage can be recorded directly to a CFexpress Type B card inside the camera body itself. This means you can capture the moment with minimal setup and no need for external devices or cables.

RAW Out over HDMI

Open gate 6K 30p (3:2) RAW data video can be output via HDMI for external recording. Recording in ProRes RAW with ATOMOS recorders or in Blackmagic RAW with Blackmagic Design recorders streamlines the production workflow and supports high-quality video creation.

Supported Recorder Models
・ATOMOS: NINJA V, NINJA V+, NINJA, NINJA ULTRA, SHOGUN CONNECT, SHOGUN, SHOGUN ULTRA
・Blackmagic Design: Blackmagic Video Assist 12G HDR

32-bit Float Recording

• Use with XLR microphone adaptor DMW-XLR2 (sold separately)
• Record high-quality audio without adjusting sound recording levels​
• Video and audio are recorded in a single file, making editing work much more efficient

False Color

LUMIX cameras come equipped with a comprehensive set of video assist tools, including Waveform (WFM), Vector Scope, Luminance Spot Meter, and Histogram. In addition to these features, the LUMIX S1IIE also offers False Color, which displays brightness levels as colours, providing even more reliable support for your shooting needs.

Frame Marker

There are various aspect ratios, such as 2.39:1 and 2.35:1 for cinema, and 1:1 and 4:5 for social media. The LUMIX S1IIE is equipped with a mask function designed for post-production cropping, allowing you to shoot with precise framing. A future firmware update* will increase frame aspect ratio options from 10 to 17 and enable simultaneous display of up to three frames.

*Firmware update scheduled for 2025.

Front/rear tally lamp

The tally lamps mounted on the front and rear of the camera body allow both the person behind the camera and those in front to see the recording status. The rear tally lamp also functions as a card access light. You can adjust the brightness and turn each of these lamps on and off individually.

AF

The LUMIX S1 IIE features Panasonic’s latest Phase Hybrid autofocus engine, enhanced with AI-based subject recognition for improved tracking and precision. With 779 focus points and fast real-time detection, it easily locks onto humans, eyes, faces, animals, and vehicles—even when the subject is in motion or partially obscured. The system performs reliably across varying lighting conditions and supports linear and non-linear manual focus modes for fine-tuned control. For sports and action photography, the camera’s blackout-free burst at up to 30 fps in SH mode ensures fast sequences are captured clearly and without interruption.

• 779-point Phase Hybrid AF for fast, precise focus
• AI subject detection for people, eyes, animals, vehicles
• Accurate in low-light and high-contrast scenarios
• Up to 30 fps blackout-free continuous shooting (SH)
• Customizable MF ring behavior (linear/non-linear)

Physically identical in size to the S1 II, the S1 IIE features a durable magnesium alloy chassis with professional-grade weather sealing. It includes a 3.2-inch 1.84M-dot touch-enabled LCD with tilt and free-angle articulation, as well as a sharp OLED EVF for flexible shooting across photo and video. The camera’s I/O includes USB-C for tethering and SSD recording, dual card slots (CFexpress Type B and SD UHS-II), and full support for Panasonic’s mobile and cloud app ecosystem.

Integration with LUMIX Lab and LUMIX Flow apps makes image transfers, remote control, and customization seamless, while Capture One plug-in support streamlines studio workflow for tethered shooting. Designed for agile teams and independent creators, the S1 IIE delivers reliable performance in a lean, fast-moving package.

• 5.29 x 4.03 x 3.61 in. magnesium alloy body
• 3.2″ 1.84M-dot articulating TFT LCD with touch control
• OLED live viewfinder for eye-level shooting
• Dual card slots: CFexpress Type B + SD UHS-II
• USB-C 3.2 Gen 2 for charging, tethering, and SSD use
• LUMIX Lab / LUMIX Flow app support + Frame.io C2C
• Wi-Fi and Bluetooth for seamless

The Lumix S1 IIE Mirrorless Camera will retail for $2,497.99 USD.

Pansonic LUMIX S 24-60mm f/2.8 Lens 

Buying Status Preorder:  Price: $897.99 USD

The Panasonic LUMIX S 24-60mm f/2.8 Lens was specifically made for use with the S tier, full-frame cameras, offering smooth bokeh, close focusing, Hybrid Zoom with compatible cameras, and a customizable control ring in the classic mid-range zoom space. It’s highly portable at 1.2 lb and 3.9” in length and boasts a close focusing distance of 7.4″.

Product Highlights:

• Full Frame | f/2.8 to f/22
• Versatile Zoom Lens w. Close Focusing
• Autofocus and Enhanced Manual Functions
• With Focus Button for Shooting Features
• Dust, Splash, & Freeze Resistant Coating