Z CAM has quietly announced its new E2 Mark II digital cameras. The new cameras are the Z CAM E2-S6 Mark II, Z CAM E2-F6 Mark II, and Z CAM E2-M4 Mark II.
Z CAM E2-S6 Mark II
- Record up to 6K60 Video
- HDMI, SDI, and Genlock Connectivity
- Built-In Gyroscope Sensor
- Interchangeable Canon EF Lens Mount
- ProRes RAW and 10-Bit Color Support
- Super 35 CMOS Sensor
- 14-Stop Dynamic Range
- 5G Wireless Support, Timecode Support
- Gigabit Ethernet, PoE+ Support
- V-Mount Battery Plate, Power Supply
Z CAM E2-F6 Mark II
- Record up to 6K60 Video
- HDMI, SDI, and Genlock Connectivity
- Built-In Gyroscope Sensor
- Interchangeable Canon EF Lens Mount
- ProRes RAW and 10-Bit Color Support
- Full-Frame CMOS Sensor
- 15-Stop Dynamic Range
- 5G Wireless Support, Timecode Support
- Gigabit Ethernet, PoE+ Support
- V-Mount Battery Plate, Power Supply
Z CAM E2-M4 Mark II
- DCI and UHD 4K up to 160 fps
- HDMI, SDI, and Genlock Connectivity
- Built-In Gyroscope Sensor
- Interchangeable MFT Lens Mount
- ProRes RAW and 10-Bit Color Support
- 4/3″ WDR CMOS Sensor/Flagship Housing
- 13-Stop Dynamic Range (16 WDR Enabled)
- Dual Native ISO: 500/2500
- Gigabit Ethernet, PoE+ Support
- V-Mount Battery Plate, Power Supply
All three cameras feature almost identical form factors and bodies as their predecessors, but there are hardware and software updates. The sensors remain the same as the original Z CAM E2 cameras.
The E2 Mark II cameras now have SDI and HDMI, as opposed to just HDMI, and a proper BNC timecode port and genlock. There is also a built-in gyroscope sensor, PoE+ (power over ethernet), and mini V-lock battery plates, as opposed to Sony NP-F. The media storage has changed from CFast 2.0 to CFexpress Type B.
Z CAM E2-F6 Mark II $3,499 USD
The Z CAM E2-F6 Mark II Full-Frame 6K Cinema Camera adds connectivity and stabilization improvements to the previous camera model while maintaining its interchangeable Canon EF lens mount and the ability to record ProRes RAW to select Atomos recorder/monitors. The camera records 6K video at up to 60 fps and HD to 170 fps, all to a CFexpress Type B card (not included). Live stream RTSP, RTMP, and SRT protocols directly from the camera via a Gigabit Ethernet connection. The camera features a full-frame sensor with 10-bit color support and 15 stops of dynamic range. ISO settings include 400 and 2500 in native mode and a total manual range of 400 to 128,000.
The E2-F6 Mark II features both HDMI and 3G-SDI output ports for expanded connectivity in comparison to its predecessor. On top of this, Timecode and Genlock BNC inputs are built-in, allowing you to forgo additional adapters. Use the USB-C, 2.5mm LANC, and Serial CTRL ports to facilitate camera control with compatible ecosystems. A Gigabit Ethernet port also helps control the camera and live stream, and it even supports PoE+. Audio connectivity includes a 3.5mm stereo jack input, 5-pin LEMO input, and 3.5mm stereo jack output.
New to the second-generation camera is a built-in gyroscopic sensor. This improves the stabilization of your footage.
- Unburdened by a recording time limit, you can record 6K at up to 60 fps and 120 fps at 4K fps for up to the limit of your recording media’s capacity
- CMOS sensor with 15 stops of dynamic range
- Supports ZRAW, REC. 709, Z-Log2, FLAT, HLG, Vivid 0/1/2, and Gamma
- H.265 (10-bit color) internal recording on CFexpress Type-B card
- 4K60, 10-bit 4:2:2 video output through HDMI 2.0 is supported
- Aluminum alloy housing for efficient heat dissipation
Using high sync precision and open API technology, multiple Z CAM units can sync together for live event applications. Connect the units to a network switch to activate EzLink Sync. Designate Master and Remote units by daisy-chaining the cameras via Z CAM sync cables. Cat 6 Ethernet cables interconnect the wireless signals for precise sync at a latency of 0.5ms.iOS AppZ Camera is a mobile application that allows camera live preview and control through a Wi-Fi/USB cable connection. It allows you to start/stop recording and adjust the camera settings remotely, and it has advanced features such as on-camera live preview. It can be downloaded from the Apple App Store.
- Made from aluminum for strength and heat dissipation
- Powers from separately available AC/DC adapter, PoE+, or mini V-mount batteries
- Active, interchangeable Canon EF mount
Sensor Type
Full Frame CMOS Sensor
Sensor Size
35.9 x 24.0 mm (Diagonal 43.3mm)
Effective Pixels
24.63M
Dynamic Range
15 stops
Lens Mount
EF Mount w/active lock (interchangeable to optional PL, LPL and M)
Microphone
Built-in Stereo Microphone
Resolution & Max Frame Rate
“30fps max at Open Gate (6064×4040)
48fps max at C6K (6064×3196)
60fps max at 6K 2.4:1 (6064×2560 )
48fps max at 6K (5760×3240)
30fps max at 5K 4:3 (5376×4032)
60fps max at C5K (5120×2700)
30fps max at 5K 6:5 (4848×4040)
60fps max at 5K (4800×2700)
50fps max at 4K 4:3 (4096×3072)*
30fps max at C4K 3:2 (4096×2732)
90fps max at C4K (4096×2160) *
120fps max at C4K 2.4:1 (4096×1728)
30fps max at 4K 6:5 (4080×3400)
90fps max at 4K (3840×2160)
170fps max at S16 16:9 (2112×1188)
170fps max at 1080P (1920×1080)
* supersampling / cropping selectable, 4K supersampling is supported at the same frame rates as C6K resolution mode.
Video Encoder
H.264 / H.265 / ProRes 422 Proxy / ProRes 422 LT / ProRes 422 / ProRes 422 HQ / ZRAW*
RAW over HDMI
ProRes RAW (using Atomos Ninja V); BRAW (using BMD VideoAssist)
Color Bit-depth
10-bit 4:2:0 (H.265) / 8-bit 4:2:0 (H.264)
Audio Format
16-bit 48 kHz
Audio Encoder
AAC / PCM (for MOV only)
File Format
MOV / MP4
Record Mode
Video / Time Lapse Video / Still Image Capture
ISO
Auto, Manual (400 ~ 128000), Dual Native ISO: 400 / 2500
Shutter
“Shutter Speed: Auto, Manual (1”~ 1/8000”)
Shutter Angle: Auto, Manual (1° ~ 360°)”
White Balance
Auto, Preset, Manual (2300K ~ 30000K)
Focus Mode
MF / AF / CAF
Image
Brightness / Contrast / Saturation / Sharpness / Gamma Setting
Image Config
Rec.709, Z-Log2, Flat, Concert, Vivid 0, Vivid 1, Vivid 2, HLG, Gamma
Time Code
Current Time / Manual Input / External Input
HDMI
HDMI 2.0 Type A (up to 4K DCI 60p, 10-bit 4:2:2)
SDI
3G-SDI
Timecode In
LTC Timecode Input via BNC
Genlock
BB/Tri-Level Genlock Input via BNC
USB
USB 3.0 Type C for camera control & data transfer only
Remote Port
2.5 mm jack socket (Sony LANC compatible)
Audio In
3.5 mm stereo jack socket (TRS) or 5-pin LEMO port for dual channel XLR microphone (require additional XLR audio connector)
Audio Out
3.5 mm stereo jack socket
Wi-Fi
5G, up to 802.11n, external antenna port
CTRL
Serial port
Ethernet
Gigabit Ethernet port
Battery
Mini V-Lock 14.8V (Battery not included)
Power Input
DC 12~18V (2-pin LEMO socket) / PoE+ (802.3at)
Power Output (AUX)
DC 12V 3A max (2-pin LEMO socket)
Power Consumption
50W maximum, not inclusive of AUX power consumption
Camera Body
Aluminum Alloy
Weight – Camera (w/o Lens)
1.21kg (with EF mount)
Weight – Full Package
1.55kg
Dimensions (HxWxL) – Camera
105 x 98 x 136.5 mm / 4.13 x 3.86 x 5.37 inch (EF Mount)
Dimensions (HxWxL) – Package
145 x 195 x 162 mm / 5.71 x 7.68 x 6.38 inch
Z CAM E2-S6 Mark II $2,499 USD
The Z CAM E2-S6 Mark II Super 35 6K Cinema Camera adds connectivity and stabilization improvements to the previous camera model while maintaining its interchangeable Canon EF lens mount and the ability to record ProRes RAW to select Atomos recorder/monitors. The camera records 6K video at up to 60 fps and HD to 120 fps, all to a CFexpress Type B card (not included). Live stream RTSP, RTMP, and SRT protocols directly from the camera via a Gigabit Ethernet connection.
The camera features a Super 35 sensor with 10-bit color support and 14 stops of dynamic range. ISO settings include 400 and 1250 in native mode and a total manual range of 400 to 128,000.
The E2-S6 Mark II features both HDMI and 3G-SDI output ports for expanded connectivity in comparison to its predecessor. On top of this, Timecode and Genlock BNC inputs are built-in, allowing you to forgo additional adapters. Use the USB-C, 2.5mm LANC, and Serial CTRL ports to facilitate camera control with compatible ecosystems. A Gigabit Ethernet port also helps control the camera and live stream, and it even supports PoE+. Audio connectivity includes a 3.5mm stereo jack input, 5-pin LEMO input, and 3.5mm stereo jack output.
New to the second-generation camera is a built-in gyroscopic sensor. This improves the stabilization of your footage.
- Unburdened by a recording time limit, you can record 6K at up to 60 fps and 120 fps at 4K fps for up to the limit of your recording media’s capacity
- CMOS sensor with 14 stops of dynamic range
- Supports ZRAW, REC. 709, Z-Log2, FLAT, HLG, Vivid 0/1/2, and Gamma
- H.265 (10-bit color) internal recording on CFexpress Type-B card
- 4K60, 10-bit 4:2:2 video output through HDMI 2.0 is supported
- Aluminum alloy housing for efficient heat dissipation
Using high sync precision and open API technology, multiple Z CAM units can sync together for live event applications. Connect the units to a network switch to activate EzLink Sync. Designate Master and Remote units by daisy-chaining the cameras via Z CAM sync cables. Cat 6 Ethernet cables interconnect the wireless signals for precise sync at a latency of 0.5 ms.iOS AppZ Camera is a mobile application that allows camera live preview and control through a Wi-Fi/USB cable connection. It allows you to start/stop recording and adjust the camera settings remotely, and it has advanced features such as on-camera live preview. It can be downloaded from the Apple App Store.
- Made from aluminum for strength and heat dissipation
- Powers from separately available AC/DC adapter, PoE+, or mini V-mount batteries
- Active, interchangeable Canon EF mount
Sensor Type
Super 35mm CMOS Sensor
Sensor Size
23.5 x 15.7 mm (Diagonal 28.3mm)
Effective Pixels
26.11M
Dynamic Range
14 stops
Lens Mount
EF Mount w/active lock (interchangeable to optional PL, LPL and M)
Microphone
Built-in Stereo Microphone
Resolution & Max Frame Rate
30fps max @ Open Gate (6244×4168)
48fps max @ C6K (6144×3240)
60fps max @ 6K 2.4:1 (6144×2592)
48fps max @ 6K (5760×3240)
30fps max @ 5K 4:3 (5552×4164)
50fps max @ 5528×3112
60fps max @ C5K (5120×2700)
30fps max @ 5K 6:5 (4992×4160)
60fps max @ 5K (4800×2700)
30fps max @ C4K 3:2 (4096×2732)
30fps max @ C4K Low Noise (4096×2160)
75fps max @ C4K (4096×2160)
100fps max @ C4K 2.4:1 (4096×1728)
30fps max @ 4000×4000
30fps max @ 3840×3840
30fps max @ 4K Low Noise (3840×2160)
75fps max @ 4K (3840X2160)
50fps max @ 3456×3456
90fps max @ S16 16:9 (3392×1908)
120fps max @ 2.8K (2868×1512)
120fps max @ 1920×1080
* supersampling / cropping selectable, 4K supersampling is supported at the same frame rates as C6K resolution mode.
Video Encoder
H.264 / H.265 / ProRes 422 Proxy / ProRes 422 LT / ProRes 422 / ProRes 422 HQ / ZRAW*
RAW over HDMI
ProRes RAW (using Atomos Ninja V); BRAW (using BMD VideoAssist)
Color Bit-depth
10-bit 4:2:0 (H.265) / 8-bit 4:2:0 (H.264)
Audio Format
16-bit 48 kHz
Audio Encoder
AAC / PCM (for MOV only)
File Format
MOV / MP4
Record Mode
Video / Time Lapse Video / Still Image Capture
ISO
Auto, Manual (400 ~ 128000), Dual Native ISO: 400 / 1250
Shutter
Shutter Speed: Auto, Manual (1”~ 1/8000”)
Shutter Angle: Auto, Manual (1° ~ 360°)
White Balance
Auto, Preset, Manual (2300K ~ 30000K)
Focus Mode
MF / AF / CAF
Image
Brightness / Contrast / Saturation / Sharpness /
Gamma Setting
Image Config
Rec.709, Z-Log2, Flat, Concert, Vivid 0, Vivid 1, Vivid 2, HLG, Gamma
Time Code
Current Time / Manual Input / External Input
HDMI
HDMI 2.0 Type A (up to 4K DCI 60p, 10-bit 4:2:2)
SDI
3G-SDI
Timecode In
LTC Timecode Input via BNC
Genlock
BB/Tri-Level Genlock Input via BNC
USB
USB 3.0 Type C for camera control & data transfer only
Remote Port
2.5 mm jack socket (Sony LANC compatible)
Audio In
3.5 mm stereo jack socket (TRS) or 5-pin LEMO port for dual channel XLR microphone (require additional XLR audio connector)
Audio Out
3.5 mm stereo jack socket
Wi-Fi
5G, up to 802.11n, external antenna port
CTRL
Serial port
Ethernet
Gigabit Ethernet port
Battery
Mini V-Lock 14.8V (Battery not included)
Power Input
DC 12~18V (2-pin LEMO socket) / PoE+ (802.3at)
Power Output (AUX)
DC 12V 3A max (2-pin LEMO socket)
Power Consumption
50W maximum, not inclusive of AUX power consumption
Camera Body
Aluminum Alloy
Weight – Camera (w/o Lens)
1.21kg (with EF mount)
Weight – Full Package
1.55kg
Dimensions (HxWxL) – Camera
105 x 98 x 136.5 mm / 4.13 x 3.86 x 5.37 inch (EF Mount)
Dimensions (HxWxL) – Package
145 x 195 x 162 mm / 5.71 x 7.68 x 6.38 inch
Z CAM E2-M4 Mark II $1,999 USD
The Z CAM E2-M4 Mark II Professional 4K Cinema Camera adds connectivity and stabilization improvements to the previous camera model while maintaining its interchangeable Micro Four Thirds lens mount, Flagship Series housing, and the ability to record ProRes RAW to select Atomos recorder/monitors. The camera records DCI and UHD 4K at up to 160 fps, as well as HD to 240 fps, all to a CFexpress Type B card (not included). Live stream RTSP, RTMP, and SRT protocols directly from the camera via a Gigabit Ethernet connection.
The camera features a 4/3″ sensor with 10-bit color support and a nominal 13 stops of dynamic range with 16 stops when set to WDR. ISO settings include 500 and 2500 in native mode and a total manual range of 500 to 102,400.
The E2-M4 Mark II features both HDMI and 3G-SDI output ports for expanded connectivity in comparison to its predecessor. On top of this, Timecode and Genlock BNC inputs are built-in, allowing you to forgo additional adapters. Use the USB-C, 2.5mm LANC, and Serial CTRL ports to facilitate camera control with compatible ecosystems. A Gigabit Ethernet port also helps control the camera and live stream, and it even supports PoE+. Audio connectivity includes a 3.5mm stereo jack input, 5-pin LEMO input, and 3.5mm stereo jack output.
New to the second-generation camera is a built-in gyroscopic sensor. This improves the stabilization of your footage.
- 12-bit ProRes RAW via HDMI to Atomos Ninja V
- Records DCI/UHD 4K up to 160 fps or 1080p up to 240 fps, to the limit of your recording media’s capacity
- Native ISO: 500 and 2500
- 13-15 stops of dynamic range using Z-Log2; 16 stops of dynamic range in WDR mode
- Built-in multi-frame noise reduction technology to produce clean footage
- H.265 (10-bit color) internal recording on CFexpress Type-B card
- 10-bit ProRes recording in 422 HQ, 422, 422 LT, and 422 Proxy is supported
- Aluminum alloy housing for efficient heat dissipation
Using high sync precision and open API technology, multiple Z CAM units can sync together for live event applications. Connect the units to a network switch to activate EzLink Sync. Designate Master and Remote units by daisy-chaining the cameras via Z CAM sync cables. Cat 6 Ethernet cables interconnect the wireless signals for precise sync at a latency of 0.5 ms.iOS AppZ Camera is a mobile application that allows camera live preview and control through a Wi-Fi/USB cable connection. It allows you to start/stop recording and adjust the camera settings remotely, and it has advanced features such as on-camera live preview. It can be downloaded from the Apple App Store.
- Made from aluminum for strength and heat dissipation
- Nine threaded mounting holes around the outside chassis
- Sensor plane marking for accurate distance measurements
- Powers from separately available AC/DC adapter, PoE+, or mini V-mount batteries
- Active, interchangeable MFT mount
Sensor Type
4/3″ CMOS Sensor
Sensor Size
19.0 x 13.0 mm (Diagonal 21.63mm)
Effective Pixels
10.71M
Dynamic Range
13~15 Stops (Z-Log2) / 16 Stops (with WDR activated)
Lens Mount
MFT Mount w/active lock (interchangeable)
Microphone
Built-in Stereo Microphone
Resolution & Max Frame Rate
30fps max at C4K Low Noise (4096×2160)
120fps max at C4K (4096×2160)
150fps max at C4K 2.4:1 (4096×1728)
30fps max at 4K Low Noise (3840×2160)
120fps max at 4K (3840×2160)
160fps max at 4K 2.4:1 (3840×2160)
30fps max at 3696×2772 Low Noise
60fps max at 3696×2772
60fps max at 3312×2760
170fps max at S16 16:9 (2752×1548)
160fps max at S16 (2704×1600)
240fps max at 1920×1080
Video Encoder
H.264 / H.265 / ProRes 422 Proxy / ProRes 422 LT / ProRes 422 / ProRes 422 HQ / ZRAW*
RAW over HDMI
ProRes RAW (using Atomos Ninja V); BRAW (using BMD VideoAssist)
Color Bit-depth
10-bit 4:2:0 (H.265) / 8-bit 4:2:0 (H.264)
Audio Format
16-bit 48 kHz
Audio Encoder
AAC / PCM (for MOV only)
File Format
MOV / MP4
Record Mode
Video / Time Lapse Video / Still Image Capture
ISO
Auto, Manual (500 ~ 102400), Dual Native ISO: 500 / 2500
Shutter
Shutter Speed: Auto, Manual (1”~ 1/8000”) Shutter Angle: Auto, Manual (1° ~ 360°)
White Balance
Auto, Preset, Manual (2300K ~ 30000K)
Focus Mode
MF / AF / CAF
Image
Brightness / Contrast / Saturation / Sharpness /
Gamma Setting
Image Config
Rec.709, Z-Log2, Flat, Concert, Vivid 0, Vivid 1, Vivid 2, HLG, Gamma
Time Code
Current Time / Manual Input / External Input
HDMI
HDMI 2.0 Type A (up to 4K DCI 60p, 10-bit 4:2:2)
SDI
3G-SDI
Timecode In
LTC Timecode Input via BNC
Genlock
BB/Tri-Level Genlock Input via BNC
USB
USB 3.0 Type C for camera control & data transfer only
Remote Port
2.5 mm jack socket (Sony LANC compatible)
Audio In
3.5 mm stereo jack socket (TRS) or 5-pin LEMO port for dual channel XLR microphone (require additional XLR audio connector)
Audio Out
3.5 mm stereo jack socket
Wi-Fi
5G, up to 802.11n, external antenna port
CTRL
Serial port
Ethernet
Gigabit Ethernet port
Battery
Mini V-Lock 14.8V (Battery not included)
Power Input
DC 12~18V (2-pin LEMO socket) / PoE+ (802.3at)
Power Output (AUX)
DC 12V 3A max (2-pin LEMO socket)
Power Consumption
50W maximum, not inclusive of AUX power consumption
Camera Body
Aluminum Alloy
Weight – Camera (w/o Lens)
1.06 kg (with MFT mount)
Weight – Full Package
1.40kg
Dimensions (HxWxL) – Camera
105 x 98 x 116 mm / 4.13 x 3.86 x 4.57 inch (MFT mount)
Dimensions (HxWxL) – Package
145 x 195 x 162 mm / 5.71 x 7.68 x 6.38 inch
Interchangeable Mounts
- Z CAM E2-M4 Mark II: MFT Mount (Active Lock)
- Z CAM E2-S6 Mark II: EF Mount (Active Lock)
- Z CAM E2-F6 Mark II: EF Mount (Active Lock)
Optional Z CAM Interchangeable lens mount:
- Z CAM PL Mount (Active Lock)
- Z CAM LPL Mount (Active Lock)
- Z CAM M Mount (Active Lock)
The Z CAM cameras also support a number of streaming protocols that are easily accessible through the built-in web client.
Open API & SDK
- Full set open API.
- Facilitates easier secondary development.
https://github.com/imaginevision/Z-Camera-Doc/tree/master/E2
