Reviews Two days with the Fujinon XK6x20 20-120mm T3.5 Cabrio – the only S35 zoom you’ll ever need? Matthew Allard ACS 07/08/2016
Features Sheffield Doc Fest 2016: Olly Wiggins on his doc ‘Swim the Channel’, shooting C300 and moving to the Alexa Mini Dan Chung 07/03/2016
Features Sheffield Doc Fest 2016: Robin Fox on shooting and lighting ‘Simply Nigella’ Dan Chung 06/21/2016
Light Reviews Hands on with the Arri SkyPanels – a single operator’s perspective Matthew Allard ACS 05/18/2016
News NAB 2016: Arri update firmware for the Alexa Mini, add new anamorphic lenses and focus control elements Mat Gallagher 04/20/2016
Reviews First impressions of the Atomos Shogun Flame as a field monitor Matthew Allard ACS 04/08/2016
Reviews Close up with the Duclos Lenses Macro Extension Tube for PL lenses Matthew Allard ACS 03/27/2016
News Arri releases SUP 4.0.15 for the Alexa Mini- S16 HD recording mode, internal ARRIRAW Open Gate recording and more Matthew Allard ACS 03/26/2016
News BVE 2016: Cinematographer Geoff Boyle says “ARRI have a problem”, likes Varicam LT image, uses C300mkII autofocus. Dan Chung 03/09/2016
News BVE 2016: Miss shooting 16mm film? ARRI turn the Alexa Mini into a Super16 doc cam with SUP 4.0 Elliot Smith 03/01/2016
Features Exclusive: Inside the mind-blowing OK Go zero gravity music video with DP Evgeniy Ermolenko and BTS cameraman Geoff Shelton Matthew Allard ACS 02/19/2016
Features RED Carbon Fiber Weapon tested by the Australian Cinematography Society Tom Gleeson ACS 01/16/2016
Features Going wide: Capturing Hiroshima’s Ribbon Chapel with the Arri 9.5-18mm T2.9 UWZ Matthew Allard ACS 12/01/2015
IBC 2015: ARRI Alexa MINI updates – anamorphic shooting and new CCM-1 control panel Dan Chung 10/02/2015
News Sixteen of the latest digital cinema cameras tested by Radiant Images and David Stump ASC Matthew Allard ACS 09/27/2015