By technical Editor Matt Allard:
I first saw the Kinotehnik EVF at NAB and was immediately drawn to it. There were plenty of other EVFs at the show but for me it comes down to how it works out in the field. In this review I will go into the good, the bad and why I choose to use this particular EVF on my cameras.
If there is anything further that you would like to know just ask me or go to www.kinotehnik.com for more information.
The opinions and views expressed in this video are those of my own and not of any company or organization.
I have no commercial agreement with Kinotehnik.
About Matthew Allard, Aljazeera Senior Field Cameraman, Kuala Lumpur:
Matt has been a Camera/Editor in TV news for more 20 years, previously working for both Channel 9 and Channel 10 in Australia. Twice Network Ten Australia’s cameraman of the year as well as being a Walkley Finalist for outstanding camerawork in 2006 (for coverage of the Cronulla Race Riots) and a Logie Finalist for outstanding news coverage 2006 (Bali 9). He is a multiple ACS (Australian Cinematographers Society) award winner. His Sword Maker story that was shot on a 7D won the prestigious Neil Davis International News Golden Tripod at the 2011 ACS Awards. He has covered news events in more than 35 countries, from major sporting events to terrorist bombings. Based out of the Kuala Lumpur broadcast centre in Malaysia he is an avid user and follower of new technology, shooting stories on HD broadcast cameras, the Sony F3 as well as new Canon DSLRs.