It was not a story that immediately inspired great visuals. Correspondent Harry Fawcett and I had to do a story on ’s rapidly declining population. Our producer Aya Asakura suggested we head to Village, high up in the mountains in Gifu prefecture, central .
With a declining birth rate and younger people moving away to large cities, small rural areas like this have seen schools close and businesses shut down. Traditionally, young people would look after the old in . But with far fewer of them around, the elderly population is left alone and has to fend for itself during the harsh winter. In , a large proportion of older people live together in former teachers’ accommodation during the winter months. These visuals would be used to illustrate our story.
I chose to shoot this on a. The correspondent had just bought it and I hadn’t used one before. To be honest I could have shot this on my broadcast camera, a , or a 1DmkIV, but I’m always up for trying new things.
The first thing that struck me about the 60D was how much easier it was to use with the flip-out LCD screen (no more lying on the ground to get a low shot!) It took a while to get used to the controls as most of the Canon cameras are configured differently. The other thing that greatly helped was the fact that I could put a radio mic receiver directly into the 60D and manually control the audio. This worked well for some things but not for others. The 60D audio set up is supposed to be the same as thewith the new firmware, but I found the 60D reordered sound was quite noisy compared to the 5D. I’m not sure why this is the case as I know Dan Chung has not found the same problem.
I recorded in both 1080/25p and 720/50p depending on the shot I needed. I also found myself having to shoot in 24p as Japan is 60hz and I was getting flicker under fluorescent lights. It was snowing quite heavily and I wanted to show the beauty of the snow falling in slow motion. The other thing I did notice – not having shot in the snow with a DSLR before – was that exposing for the snow was quite tricky. It is hard to tell correct exposure just using the camera’s onboard screen when the majority of the scene you are shooting is bright white. I compensated for this by shooting the same shot with different exposures.
Over all I was quite impressed by the 60D. For a sub $1000 camera I found it by far the easiest to use out of all the DSLRs. I was also very impressed that despite being in -15C temperatures and getting covered in snow, then going straight indoors to a warmer place, the camera never once stopped working.
This short film is just a collection of some of the shots I took for the story while I was there. I hope it tells a story without needing words. I wanted it to look beautiful yet isolated, cold and remote. I’m not usually one to do much colour grading but I did so with this one to try to get a slightly surreal look. It was all shot on a Magic Bullet Looks and Apple Color.using a f2.8, f1.2L and a Canon 135mm f2L. Edited in Final Cut Pro and graded in
About Matthew Allard, Aljazeera Senior Field Cameraman, Kuala Lumpur:
Matt has been a Camera/Editor in TV news for 20 years, previously working for both Channel 9 and Channel 10 in Australia. Twice Network Ten Australia’s cameraman of the year as well as being a Walkley Finalist for outstanding camerawork in 2006 (for coverage of the Cronulla Race Riots) and a Logie Finalist for outstanding news coverage 2006 (Bali 9). He has covered news events in more than 30 countries, from major sporting events to terrorist bombings. Based out of the Kuala Lumpur broadcast centre in Malaysia he is an avid user and follower of new technology, shooting stories on HD broadcast cameras as well as new Canon DSLR’s.