Nikon Europe has posted up a video with editors Juni Marie Benjaminsen and Emma Lun that shows their post-production process and color grading tips when dealing with footage from the new ZR.
They talk about editing and color grading material that was captured in the above video.
If you are not familiar with the Nikon ZR, it is the company’s first digital cinema camera. The new Nikon ZR can record up to 6K/60p (59.94p) and incorporates the new R3D NE RAW video file format with RED color science based on RED’s popular R3D RAW codec. It is also stated to have 15+ stops of dynamic range.
Just like the competing Canon EOS C50 and Sony FX3A, the NIKON ZR doesn’t have built-in ND filters, SDI, or an EVF.
The ZR is being touted as an ultra-lightweight, full-frame camera that blends the best technologies and philosophies that NIKON and RED both offer. NIKON states that this is aimed as an entry-level digital cinema camera designed for emerging cinematographers and high-end content producers.
