Author: Matthew Allard ACS
Lytro Cinema- The highest resolution video sensor ever designed, 755 RAW megapixels at up to 300 FPS
Cineo announces the HSX- a powerful colour-tunable soft source light
Westcott launch a iOS app for remote controlling the Ice Light 2
Frame.io now works directly inside Adobe Premiere Pro
Sachtler updates their popular Video 18 fluid tripod head
SoftPanels: Kickstarting LED lights with automatic colour adjustment and skin tone optimisation
First impressions of the Atomos Shogun Flame as a field monitor
Filmconvert is now available for Windows
Go big or go home- Hasselblad H6D-100c brings 4K raw video capability to medium format
JVC adds built-in IFB to their GY-HM660 mobile news camcorder
smallHD goes big- announces 17-inch, 24-inch and 32-inch daylight-viewable HDR 10-bit production monitors
Convergent Design NAB Specials on Apollo, Odyssey7Q+ and Upgrade Options
Emulate the messaging graphics used on shows such as Sherlock and House of Cards with XEffects Messages
Go Creative Show talks to Nelson Cragg, cinematographer of American Crime Story:The People Vs. OJ Simpson
Fujinon announces more affordable Super35 ENG style Premier PL 20-120mm T3.5 Cabrio lens
Don McAlpine ACS ASC talks about shooting the feature film “Ali’s Wedding” on Panasonic’s VariCam 35
Sony announces FE 50mm f/1.8 prime and FE 70-300mm f/4.5-5.6 G OSS zoom
