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Ground Control Griffin LUTs for your DJI Mavic Pro

Ground Control have a range of new LUT’s available for use with the DJI Mavic Pro. Griffin LUTs have been designed for anyone shooting D-Log on Mavic, and they include REC.709 versions to add to corrected footage.

The Griffin LUT pack includes 16 looks that are claimed to give your Mavic footage, a beautiful filmic style. From my experience I would be very hesitant shooting in D-Log on the Mavic Pro as the low bit rate codec does not lend itself well to heavy grading. Images captured in D-Log tend to fall apart very quickly.

EACH LUT HAS A D-LOG VERSION DESIGNED FOR FOOTAGE SHOT IN D-LOG (-1,-3,-3)
AND A REC.709 VERSION THAT CAN BE USED ON ANY CORRECTED IMAGE
GC_Griffin_April – Enhance greens
GC_Griffin_Athens – Black & white that brings out detail in plantlife
GC_Griffin_Ava – Bleach bypass Inspired Grade
GC_Griffin_Badlands – Strong Warm Look
GC_Griffin_Caroline – High contrast filmic look
GC_Griffin_Chance – Beutiful blues and greens
GC_Griffin_Door – Emerald punch
GC_Griffin_Entranced – Turns water and skies a strong green
GC_Griffin_Imogen – Slight warmth in blues
GC_Griffin_Insurge – Warm and desaturated
GC_Griffin_Jane – Warmer greens
GC_Griffin_Knox – Deep punchy film look
GC_Griffin_Lara – Strong cool look
GC_Griffin_Mera – Heavy cyan push
GC_Griffin_Rise – Yellow grass and trees are pushed green
​GC_Griffin_Seraphina – Tealish hipster style

The Ground Control LUTs are avaailable in industry standard formats- cube, .3DL, and .mga. They are all compatible with use in Davinci Resolve 9 and later, Adobe Speedgrade CC, Final Cut Pro X * (LUT Utility Required), Adobe After Effects CC, Adobe Premiere CC, Adobe Media Encoder CC, and Adobe Photoshop CC. Apps such as Red Giant LUT Buddy and Colour Finale Pro also work.

The Griffin LUT pack is available for $29.99US.

Do you own a Mavic Pro? Do you shoot D-Log? What do you think are the best settings for shooting with a Mavic Pro? Let us know in the comments below.

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