“Shooting video is easy”, was a quote on another post on this blog. Like many DSLR shooters, I’m from a stills background so just learning but this is what I know. Shooting video is engaging, challenging, testing, difficult and great great fun – anything but easy
Shooting 25p progressive is even harder than that because you need to be super smooth – a shocking leap from the 30p 5d or an interlaced video camera. The mind is busting with thought for every moment that you roll. Focus, pan speed, shooting angles that will cut, following the action or letting it move into the frame and of course composition, but as a DSLR shooter that is easy and has to be instant.
Shooting motion puts your thoughts under a microscope there is no doubt, I shot this for fun having shot stills of the gang for a magazine last month
We arrived at nine and departed by eleven, my edit was done by 3am having shot another job in the afternoon. The majority is done with a 70-200 nikkor G lens with the aperture jammed open at f2.8 , stuck on a good Miller tripod which has a wide choice of panning frictions right down to nearly nothing. Follow focus with the lens was the main challenge of the day particularly the lack of monitor and the minute adjustments that the small sensor and DSLR AF lens implies, I used a home made Follow Focus.
Other shots are done on my shoulder rig (www.halfinchrails.com) using both a 14mm nikkor 2.8 and a 50 1.4 nikkor at 2.8. Slo mo reallys cheats handheld moves, but it just doesnt look good with my 14mm – I think I need to stop down a little to sharpen it up
The 50mm lens sings for both perspective and sharpness at f2.8
The edit is probably a bit weak, it starts a little slow and I should change my POV more in some of the cuts – I hope the video is fun
Oh ? the camera –– my initial appraisal is you need a lot of light to keep the ISO down and give yourself some options with aperture to sustain focus, especially in 50FPS mode – Im loving the look of the camera having been initially scared of a ‘small’ chip
I think what DSLR shooters can take away from this is the selection of shot angles and cut choices, Im trying to make an engaging sequence – not a moving slide show which is what I think a lot of DSLR shooters are tempted to do.
Sam Morgan Moore is a professional stills photographer who works for the ‘heavy’ newspapers and commercial clients in the south west of the uk
he is available to hire to create stills, motion or preferably both